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    <title>re-story-ation: Artistic Research and More-Than-Human Relationalities</title>
    <link>https://mediathek.hfbk.net/l2go/-/get/l/74</link>
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    <copyright>HFBK Mediathek 2026</copyright>
    <itunes:author>HFBK Mediathek</itunes:author>
    <itunes:summary><![CDATA[ ]]></itunes:summary>
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    <pubDate>Wed, 03 Jun 2026 13:45:11 +0200</pubDate>
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      <title>re-story-ation: Artistic Research and More-Than-Human Relationalities</title>
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      <title>The Earth under Water: Images of the Great Flood and Noah's Ark in Medieval and Early Modern Art</title>
      <description><![CDATA[Lecture by Prof. Dr. Bettina Uppenkamp, HFBK Hamburg, as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

The Earth under Water: Images of the Great Flood and Noah's Ark in Medieval and Early Modern Art
Narratives of a life-destroying great flood belong to the mythological heritage of numerous cultures. This catastrophe is generally understood as a form of divine punishment for human guilt and sin. In the Old Testament, Noah, as the only righteous man, is instructed to build an ark and to save not only his family but also a pair of every kind of animal—both pure and unpure—"birds and livestock and every creeping thing" (Gen 8:17), in order to repopulate the earth after the flood. This lecture focuses on images from earlier periods of art history and, in particular, asks which species were deemed worthy of representation.]]></description>
      <itunes:summary><![CDATA[Lecture by Prof. Dr. Bettina Uppenkamp, HFBK Hamburg, as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

The Earth under Water: Images of the Great Flood and Noah's Ark in Medieval and Early Modern Art
Narratives of a life-destroying great flood belong to the mythological heritage of numerous cultures. This catastrophe is generally understood as a form of divine punishment for human guilt and sin. In the Old Testament, Noah, as the only righteous man, is instructed to build an ark and to save not only his family but also a pair of every kind of animal—both pure and unpure—"birds and livestock and every creeping thing" (Gen 8:17), in order to repopulate the earth after the flood. This lecture focuses on images from earlier periods of art history and, in particular, asks which species were deemed worthy of representation.]]></itunes:summary>
      <itunes:duration>00:48:56</itunes:duration>
      <itunes:image href="https://mediathek.hfbk.net/images/00.000_video-697_2026-05-07_14-00.jpg?lastmodified=1780482638880"/>
      <link>https://mediathek.hfbk.net/l2go/-/get/v/697</link>
      <pubDate>Thu, 07 May 2026 14:00:00 +0200</pubDate>
      <guid>https://mediathek.hfbk.net/l2go/-/get/v/697</guid>
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      <title>Ancestral Sea: Where Lives and Memories Reside</title>
      <description><![CDATA[Lecture by Terue Yamauchi, Artist and Film Maker, Fukuoka (JP) as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

Ancestral Sea: Where Lives and Memories Reside"Crossing Tides" (2018) emerged from a decade-long relationship with an elderly woman—the last remaining ama (sea women / female free diver) on an island between Japan and the Korean Peninsula, who embodied a life deeply attuned to the sea and its tides. In this talk, I will share a selection of key excerpts from the film and reflect on the process of its making, discussing how I came to understand that relationships—and their storytelling—are not something we can simply "make" or "develop," but rather something that emerges organically over time through ongoing negotiation with constantly shifting, living elements, including the artist, participants, the environment, the weather, and all that it shapes.]]></description>
      <itunes:summary><![CDATA[Lecture by Terue Yamauchi, Artist and Film Maker, Fukuoka (JP) as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

Ancestral Sea: Where Lives and Memories Reside"Crossing Tides" (2018) emerged from a decade-long relationship with an elderly woman—the last remaining ama (sea women / female free diver) on an island between Japan and the Korean Peninsula, who embodied a life deeply attuned to the sea and its tides. In this talk, I will share a selection of key excerpts from the film and reflect on the process of its making, discussing how I came to understand that relationships—and their storytelling—are not something we can simply "make" or "develop," but rather something that emerges organically over time through ongoing negotiation with constantly shifting, living elements, including the artist, participants, the environment, the weather, and all that it shapes.]]></itunes:summary>
      <itunes:duration>00:45:02</itunes:duration>
      <itunes:image href="https://mediathek.hfbk.net/images/00.000_video-694_2026-05-07_12-00.jpg?lastmodified=1780480598763"/>
      <link>https://mediathek.hfbk.net/l2go/-/get/v/694</link>
      <pubDate>Thu, 07 May 2026 12:00:00 +0200</pubDate>
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      <title>Shared Worlds: Imagining Multispecies Futures</title>
      <description><![CDATA[Lecture by Prof. Jessica Ullrich, Kunstakademie Münster, Editor of 'Tierstudien' Publication, as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

Shared Worlds: Imagining Multispecies Futures
Shared Worlds explores how contemporary art functions as an experimental space for imagining and testing utopian futures beyond anthropocentrism. Art is framed as a speculative practice that challenges the status quo and anticipates alternative forms of coexistence with nonhuman animals. Through historical and contemporary case studies the lecture examines how art envisions, rehearses, and sometimes realizes multispecies communities. Central to the discussion are questions of animal personhood, agency, radical hospitality, and feminist ethics of care. The talk proposes an expanded concept of art that takes nonhuman aesthetic practices seriously and recognizes animals as collaborators and co-creators of worlds.]]></description>
      <itunes:summary><![CDATA[Lecture by Prof. Jessica Ullrich, Kunstakademie Münster, Editor of 'Tierstudien' Publication, as part of the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg.

Shared Worlds: Imagining Multispecies Futures
Shared Worlds explores how contemporary art functions as an experimental space for imagining and testing utopian futures beyond anthropocentrism. Art is framed as a speculative practice that challenges the status quo and anticipates alternative forms of coexistence with nonhuman animals. Through historical and contemporary case studies the lecture examines how art envisions, rehearses, and sometimes realizes multispecies communities. Central to the discussion are questions of animal personhood, agency, radical hospitality, and feminist ethics of care. The talk proposes an expanded concept of art that takes nonhuman aesthetic practices seriously and recognizes animals as collaborators and co-creators of worlds.]]></itunes:summary>
      <itunes:duration>00:38:00</itunes:duration>
      <itunes:image href="https://mediathek.hfbk.net/images/00.000_video-696_2026-05-07_11-00.jpg?lastmodified=1780481764877"/>
      <link>https://mediathek.hfbk.net/l2go/-/get/v/696</link>
      <pubDate>Thu, 07 May 2026 11:00:00 +0200</pubDate>
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      <title>being(s) : More-Than-Human Drama</title>
      <description><![CDATA[Introduction to the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg and the research project 'More-Than-Human Drama' as part of the being(s) graduate school at HFBK by Helene Kummer, PhD Candidate Art in Practice at HFBK hamburg and Sara Hillnhütter, Officer for Artistic Practice at HFBK Hamburg.

In her artistic research, Helene Kummer examines the dramaturgical, linguistic, and aesthetic articulations of so-called "animals" in storytelling - particularly in animation -and how these representations shape human-animal relationships. Scratch marks from raccoons on the wooden structures of Japanese temples hold a multitude of stories and relationships. They are the traces of a popular animation production from the 1970s that influenced ways of seeing and treating these animals, which are considered invasive. Together with Terue Yamauchi, the two artists collect documents, stories, and relationships connected to these contexts and are developing a feature film.]]></description>
      <itunes:summary><![CDATA[Introduction to the symposium re-story-ation: Artistic Research and More-Than-Human Relationalities on May 7, 2026 at HFBK Hamburg and the research project 'More-Than-Human Drama' as part of the being(s) graduate school at HFBK by Helene Kummer, PhD Candidate Art in Practice at HFBK hamburg and Sara Hillnhütter, Officer for Artistic Practice at HFBK Hamburg.

In her artistic research, Helene Kummer examines the dramaturgical, linguistic, and aesthetic articulations of so-called "animals" in storytelling - particularly in animation -and how these representations shape human-animal relationships. Scratch marks from raccoons on the wooden structures of Japanese temples hold a multitude of stories and relationships. They are the traces of a popular animation production from the 1970s that influenced ways of seeing and treating these animals, which are considered invasive. Together with Terue Yamauchi, the two artists collect documents, stories, and relationships connected to these contexts and are developing a feature film.]]></itunes:summary>
      <itunes:duration>00:50:18</itunes:duration>
      <itunes:image href="https://mediathek.hfbk.net/images/00.000_video-695_2026-05-07_10-00.jpg?lastmodified=1780480972934"/>
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      <pubDate>Thu, 07 May 2026 10:00:00 +0200</pubDate>
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